We’ve posted a lot about Millennial Falcon, but wanted to have a more focused video on the intro riff in particular. Though there are several ways to count the intro sections, this song was originally created from this bass riff that in 15/8.

One guitar counts the riff switching between 6/8 and 9/8. The second guitar alternates between 7/4 and 8/4. Combining it all creates a really neat poly-rhythmic meter where everyone meets back up every 4 bars of music.

I swear we’re working hard to get our album released, but it’s hard when you get distracted and write new music instead.

This one won’t be on our upcoming album, but will certainly become a part of our live set as soon as we get to play out again.

Alternate edit of our “Lucid Quarantine Edition” with a more focused perspective as opposed to the 4×4 split screen.

There’s a lot of layers to this song and it’s one that we love playing live. Also one of the best solos we’ve ever written.

Felt like showing some music that inspired me. This one is the second solo from the song “Beneath The Mire” by Opeth from the Ghost Reveries album. I’ve always found this solo intertwining with the keyboard to be intriguing for me.

Written and arranged by Opeth Performed, Recorded, Mixed, Mastered,

Special thanks to Evan Bradley for his guitar pro transcription of the solos. https://www.youtube.com/watch?v=KGgrdb8FalA

Also thanks to whoever wrote out this tab so I didn’t have to figure out the drums: http://gtptabs.com/tabs/15/opeth/beneath-the-mire.html

Will you take a look at this? Sometimes you get a riff in 15/8 and you gotta just throw down a ‘simple’ beat on it.

Very fortunate to have a talented drummer like Dino.

Obviously no one cares about bass, but our bassist owns the camera so… you’ll have to suffer for now.

But on the bright side, at least you’ll have some nice grooves to suffer with!